A Constructed World, 1993, live and work in Melbourne and Paris. Selected solo exhibitions include A Dangerous Critical Present, Museo d’Arte Contemporanea Villa Croce, Genova (2014); The Social Contract, Spring Workshop, Hong Kong (2013); Nature Dance, Roslyn Oxley9 Gallery, Sydney (2013); Based on a true story, Ian Potter Museum of Art, University of Melbourne (2012); Saisons Increase, CAPC Museum of Contemporary Art, Bordeaux (2008); and Increase Your Uncertainty, Australian Centre for Contemporary Art, Melbourne (2007).
A Constructed World have presented performances in museums and art centers such as La Panacée, Centre de Culture Contemporaine, Montpellier (2014); Les Laboratoires d’Aubervilliers (2013); Artspace, Sydney, (2013); Museum of Contemporary Art, Sydney (2012); FRAC Champagne-Ardenne, Reims (2012); Cneai, Chatou, (2012); Royal Academy of Fine Arts, Stockholm (2011); Paola Pivi’s Grrr Jamming Squeek, Sculpture International Rotterdam (2011); La Ferme du Buisson, Noisiel, (2011) and Villa Arson Center for Contemporary Art, Nice (2010).
They have participated in group exhibitions at Cneai, Chatou (2015); Witte de With Center for Contemporary Art, Rotterdam (2014); National Gallery of Victoria, Melbourne (2012); Musée de l’Objet, Blois (2011); Micro Onde, Centre for Contemporary Art, Vélizy-Villacoublay (2011); FRAC des Pays de la Loire, La Garenne Lemot (2011); NUS Art Centre, Singapore (2009) and Foundation Sandretto Re Rebaudengo, Turin (2008). A Constructed World have participated in a number of biennale including Belleville, Paris (2010), Tirana (2003); Sao Paolo (1998); and Gwangju (1995). They have been the recipients of artist in residence grants from La Panacée, Montpellier (2014); Villa Arson, Nice (2010); Couvent des Récollets, Paris (2007-8), Australia Council, Cité Paris (2005-6); and the Serpentine Gallery, London (2002).